Béla Fleck and the Flecktones Come to Yoshi's

Béla Fleck, often considered the premiere banjo player in the world, has made a name for himself as a virtuoso instrumentalist unbounded by genre. His band The Flecktones - Victor Wooten on electric bass, Jeff Coffin on sax and flute, and Future Man on percussion - are equally talented and adventurous as Fleck himself, and together they have made a string of critically acclaimed albums that combine bluegrass, jazz, funk and world music with technical prowess, unlimited imagination and occasional zaniness. Their new holiday CD Jingle All the Way is all of that, with bells on - Christmas music as it's never been heard it before.

Banjo master Béla Fleck and his Flecktones most previous CD, "The Hidden Land", is their third offering on Columbia Records, following "Outbound", and "Little Worlds". The album features a lot of new music as well as some tunes the group have performed for some time, but never recorded. This time they decided to use a stripped down quartet format, following some of the rules they used to use when they first began. For instance, no one could record anything that could not be played live, and no multiple overdubs or sweetening parts were added. Whatever you hear can be played by all four of the Flecktones at once, although at times it may sound like more than four guys! By triggering the occasional synth with a floor pedal or midi pick-up, and switching instruments, singing simultaneously with playing, etc they were able to get a pretty big sound.

Their last three releases had featured more of a 'community' approach, featuring great musicians like Bolinas-based reed player Paul McCandless of the group Oregon, Steel Drum player Andy Narell, tabla player Sandip Burman, and the Tuvan throat singer Cong-ar-ol Ondar, (last seen in the incredible documentary "Ghenghis Blues", with the late Paul Pena.), among others. The Flecktones loved having these myriad of stars to record and tour with, but Fleck reckoned this to be the right time for the group to return to it's original quartet format, and see what they could achieve.

Hidden Land is also a CD/DVD, which includes a 30 documentary minute film which gives even more insight into the inner workings of the Flecktones. "A big part of my year was finishing up the Flecktones upcoming CD "The Hidden Land", recalled Fleck. "This album is a return to a stripped down approach, in other words it is just the 4 of us. Everything we played had to be able to be duplicated live with just us, and we pushed ourselves to be creative and dig deep. We have made a lot of albums and we wanted this one to be different and special. Most importantly we wanted the music to progress. We recorded it in July and November of 2004 so that we could release it when we return from our year off. But there was a lot of work left to do editing and mixing, and I worked on it when I was off the road in 2005".

The Flecktones have indeed been busy while on their self-imposed hiatus. Following a successful summer tour with jazz icons, bassist Stanley Clarke and violinist Jean-Luc Ponty, Fleck spent a month in Africa, recording and filming musicians in an effort to discover the roots and origins of his beloved banjo. A tour of China, and followed that up by recording with the famed tabla master Zakir Hussein. Bass virtuoso Victor Wooten toured with his 'Soul Circus" band, his brother, the eclectic percussionist Roy "Futureman" Wooten, continued developing his "Royel" drum-piano, releasing his second solo CD, "Evolution de la Musique", and performing with keyboardist Jeremy "Street Maestro" Able. Saxophonist Jeff Coffin spent his time recording and touring with his acclaimed "Mu'tet", as well as joining his fellow 'tones on a variety of gigs and CD projects.

Hidden Land's 30 minute film, (which will be on the flip side of the new disc), was dreamt up by Fleck and his brother Sascha Paladino. "Sascha and I dreamed up a concept, and then the Flecktones got together for a couple of days to film it. We are all proud of the piece and look forward to you all checking it out", said Fleck. As of this writing, no Bay Area shows are planned, however, the Flecktones will be performing at the Sierra Nevada Stage, in Chico, California, February 13th and 14th.

With "The Hidden Land", Béla Fleck and the Flecktones continue to explore the myriad forms and possibilities of our planet's under-the-radar music while celebrating the invisible energy--both cosmic and mathematical--that uses sound to create new worlds, and marks a return to the original concept of the band, a radical jazz-bluegrass amalgam with roots as deep as the blues and branches reaching out into infinite space.

Bela Fleck and the Flecktones
Yoshi's San Francisco
Friday 8pm $45 / 10pm $45
Saturday 8pm SOLD OUT / 10pm $45
Sunday 7pm $45 / 9pm $45

Dr. Lonnie Smith Comes to the Herbst

The last time I saw the incredible Dr. Lonnie Smith, was at the 2007 San Jose Jazz Festival, sharing a bill with amazing Marcus Miller and Dr. John. The good doctor returns to the Bay area this Friday night at the Herbst on Van Ness and not a moment too soon, because a double dose of soul is just what the doctor ordered. Dr. Smith that is, the reigning old-school Hammond B3 maestro who’s been handing out funkified prescriptions since breaking in with George Benson in the mid- 1960s. Another ‘60s B3 avatar, Reuben Wilson, leads the aptly named Godfathers of Groove featuring funk drum legend Bernard "Pretty" Purdie and guitarist Green Jr., son of the late soul jazz guitar great.

Smith, who was awarded his doctoral honorific by his peers, came up during the B3’s glory years and is arguably the most exciting organ player on the scene, an indefatigably inventive musician who has recorded albums exploring the music of Beck and Jimi Hendrix. A seminal figure in the soul jazz movement, he put the groove into Lou Donaldson’s classic 1967 Blue Note record Alligator Boogaloo. His own Blue Note sessions such as Think and Turning Point showcased some of the era’s most prodigious improvisors, including Lee Morgan, Idris Muhammad, David “Fathead” Newman and Bennie Maupin. More recently, he has released a series of acclaimed albums on Palmetto, leading the Jazz Journalist Association to vote him “Organ/Keyboardist of the Year” consistently since 2003.

Smith was born in 1922 outside of Buffalo in Lackawanna, New York, into a family with a vocal group and radio program. Smith says that his mother was a major influence on him musically, as she introduced him to gospel, classical, and jazz music. He was part of several vocal ensembles in the 1950s, including the Teen Kings. Art Kubera, the owner of a local music store, gave Smith his first organ, a Hammond B3.
His affinity for R&B melded with his own personal style, and he quickly became a local legend. He moved to New York City, where he met George Benson, the guitarist for Jack McDuff's band. Benson and Smith connected on a personal level, and the two formed the George Benson Quartet featuring Lonnie Smith, in 1966.

After two albums under Benson's leadership, (It's Uptown and Cookbook), Smith recorded his first solo album (Finger Lickin' Good) in 1967, with George Benson on guitar, Ronnie Cuber on baritone sax, Melvin Sparks on guitar and Marion Booker on drums. This combination remained stable for the next five years. After recording several albums with Benson, Smith became a solo recording artist and developed a career that has produced over 30 albums under his own name. Several legendary jazz artists have joined Smith on his albums, including Lee Morgan, David "Fat Head" Newman, King Curtis, Blue Mitchell, and Joe Lovano among others.

In 1967, Smith met Lou Donaldson, who put him in contact with Blue Note Records. Donaldson asked the quartet to record an album for Blue Note, Alligator Boogaloo. Blue Note was so impressed by the album that they signed Smith for the next four albums, all of which are now considered classics of soul jazz. This highly influential period produced Think (with Melvin Sparks, Marion Booker, Lee Morgan and David Newman) and Turning Point (with Lee Morgan, Bennie Maupin, Melvin Sparks and Idris Muhammad). The latter is largely regarded as his most seminal studio album.

Smith's next album Move Your Hand was recorded at the Club Harlem in Atlantic City, New Jersey in August 1969. This surprise hit spread allowed his reputation to grow beyond the Northeast. He would record another studio album Drives and one more live album Live at Club Mozambique before leaving Blue Note. Live at Club Mozambique was recorded in Detroit on 21 May 1970, and is considered to be his finest live recording.

Smith toured the northeastern United States heavily during the 1970s. He concentrated largely on smaller neighborhood venues during this period. His sidemen included Ronnie Cuber, Dave Hubbard, Bill Easley and George Adams on sax, Donald Hahn on trumpet, George Benson and Larry McGee on guitars, and Joe Dukes, Sylvester Goshay, Phillip Terrell, Marion Booker, Jimmy Lovelace, Charles Crosby, Art Gore, Norman Connors and Bobby Durham on drums

Godfathers of Groove leader Wilson was a ‘60s Blue Note labelmate with Smith who also recorded several excellent soul jazz sessions. He’s joined by Purdie, the supremely funky drummer whose rolling shuffle beat animated so many hits it was dubbed “the Purdie shuffle.” His credits include everyone from Dizzy Gillespie and King Curtis to Aretha Franklin and Steely Dan.

"Soul Jazz Summit"
Dr. Lonnie Smith
featuring Donald Harrison
Godfathers of Groove:
w/Reuben Wilson, JT Lewis & Grant Green Jr.
Herbst Theater, Friday, November 7, 8PM