Today marks the 70th birthday of one of the greatest drummers of this,
or any generation; the remarkable Billy Cobham. From his earliest
recordings with Horace Silver, Miles Davis and Milt Jackson, to his
scintillating and seminal work with John McLaughlin's Mahavishnu
Orchestra, keyboardist George Duke, and his own groups, like Culture
Mix, Asere and the Spectrum 40; Cobham has thrilled audiences around the
world by bringing his incomparable talents as a composer, drummer, and
producer to the forefront of jazz, rock, fusion and world music. His
latest effort is the eagerly awaited "Tales from the Skeleton Coast",
part 3 of a series dedicated to his Panamanian parents.
"Ever since his breakthrough in the early 1970’s, as a
founding member of the Mahavishnu Orchestra and as a drummer/band
leader whose recordings such as Spectrum, with a powerful, complex style
of play exerted a strong influence on the course of jazz and
jazz-fusion, Billy Cobham has remained a tireless musical explorer.
Panamanian by birth, a New Yorker by upbringing, and a resident of
Switzerland for the past 30 years, Cobham has pursued an
ever-broadening, ever deepening engagement with the world not only as a
master drummer and percussionist but as a composer, producer, educator
and clinician who gives service through music even as he constantly
expands his personal creative horizons.
Cobham’s newest recording “Tales From The Skeleton Coast” on his
personal recording label, Creative Multimedia Concepts, provides
credence to his ever-deepening exploration of his life experiences as
reflected through his musical compositions. “Tales From The Skeleton
Coast” is yet another way stop on a journey through the life of a
musical traveler in search of total enlightenment.
“Tales From The Skeleton Coast” is also the third installment in a four
volume series of media presentations that Billy Cobham has committed to
creating in celebration of the lives of his parents William Emanuel and
Ivy Leotta. The previous two volumes are entitled “Fruit From The Loom”
and “Palindrome”.
As a sonic package the music within the “grooves” provides vision and
direction for the imaginative journey that transports the listener from
points within the region once known as Southwestern Africa (now
Namibia), to the social influences emanating from Panama, central
America and the afro-Caribbean community..."
Here's a clip of Cobham and his European band, featuring his long time
percussionist Junior Gill, performing a cut from his upcoming album…