Friday, September 19, 2014

McQuarry, Kleinman & Smith Trio at the Cadillac

"Keyboardist Steve McQuarry, bassist Craig Kleinman and drummer E. “Doc” Smith brought their brand of electric jazz and fusion to the Cadillac Hotel on Friday, September 19th @ 12:30 pm. The MKS Trio performed some of the music of Herbie Hancock, Weather Report, Catalyst, Jaco Pastorius and Billy Cobham. Concerts at the Cadillac is a free concert series open to the public. The purpose is to provide high-quality music for the residents of the Cadillac Hotel and San Francisco’s Tenderloin District. Everyone is welcome. Dedicated to the power of music to uplift and inspire.


The Cadillac Hotel is also home to the Patricia Walkup Memorial Piano, a meticulously restored 1884 Steinway Model D concert grand piano. The case is of Indian Rosewood and the old growth spruce soundboard is the piano’s original. The piano spent its first 70 years or so in a castle in Holyoke, Massachusetts. It was shipped from New Haven, Connecticut, to the Cadillac Hotel in June, 2007. This beautiful instrument is maintained on a regular basis by Shawn Skylark (Registered Piano Technician, Piano Technicians Guild).


McQuarry grew up in a home filled with his Mom’s piano playing, in Denver Colorado. He studied at the Eastman School of Music, University of Colorado at Denver, Berklee School Of Music, University Of California San Diego and Alexander University. He is an active member of the Audio Engineering Society (AES), the performance rights organization, Broadcast Musicians, Inc. (BMI), the Electronic Music Foundation (EMF), the American Society of Music Arrangers and Composers (ASMAC), the Society For Electro-Acoustic Music in the United States (SEAMUS) and Chamber Music America (CMA).


McQuarry has performed with distinguished artists such as the late Dizzy Gillespie, Clare Fischer, Louie Bellson, Red Rodney (Charlie Parker), Tom Scott, the late John Cage, Laurie Anderson, Vinnie Colaiuta (Sting, Herbie Hancock, Frank Zappa), Nathan East (Eric Clapton, Herbie Hancock, Bob James), Bill Rich (Jimi Hendrix, Buddy Miles, Taj Mahal), the Colorado Symphony Orchestra and Billy Cobham.


McQuarry and Kleinman met a dozen years ago, during their days of playing clubs in and around San Diego. After both relocated to the Bay Area, they reunited and sought out a project that would allow each to explore McQuarry’s electric jazz keyboard wizardry, as well as the fusion music of Miles Davis, Jan Hammer, Weather Report’s Joe Zawinul and Jaco Pastorius and Billy Cobham. McQuarry recommended Smith, a like-minded soul from his work with bassist Edo Castro, and after a few sessions, the McQuarry, Kleinman & Smith trio was born.


In addition to this recent project, McQuarry leads several ensembles, including his critically acclaimed Resonance Jazz Octet, (which will make it SF Jazz Center debut on October 18th); the Stephen McQuarry Trio with Resonance alum Ted Burik and Greg German; an all-horn and woodwind ensemble; an electric quartet with Resonance’s Michele Walther on electric violin, Burik and Smith; and is composing and recording on his indie label, Mandala Records as well as working on orchestration projects in the film community. McQuarry explained that someday you might even find him “on a pink sand beach with Sherre eating a conch salad…”


Here's a brief video clip of McQuarry, Kleinman & Smith Trio, featuring Steve McQuarry (keyboards), Craig Kleinman (bass) & E. Doctor Smith (drums) performing an excerpt from the Miles Davis/Marcus Miller tune "Tutu" and Billy Cobham's "Red Baron" at the Cadillac Hotel in San Francisco.

Excerpt from Tutu & Red Baron - McQuarry, Kleinman & Smith Trio from E. Doctor Smith on Vimeo.


Friday, September 12, 2014

The 15th Annual SF Electronic Music Festival

For the past 15 years, the San Francisco Electronic Music Festival (SFEMF) has brought internationally acclaimed musicians to the Bay Area, becoming the premiere festival dedicated to the genre. The festival began last night at the Exploratorium with the Kanbar Forum, David Dunn, Headboggle + Caitlin Denny, and continues from September 12th–14th. SFEMF will present artists working with analog synthesizers, home-brewed electronics, laptop-generated sound, processed live acoustic instruments, amplified found objects, projected video, improvisation, and performance art. This year’s festival opens at the Exploratorium with field recording maverick David Dunn and antic keyboardist Head Boggle with live visuals by Caitlin Denny.


Interested in site-specific interactions and research-oriented activities, David Dunn creates a new view of the environmental world through music. He has received over 35 grants and fellowships for both artistic and scientific research, including the Alpert Award (2005), the Henry Cowell Award from the American Music Center (2007), and, most recently, an Artist Award Grant from the Foundation for Contemporary Arts (2013).


Derek Gedalecia, a.k.a. Head Boggle, creates electronic keyboard-based soundscapes that blend lowbrow and highbrow art, music, and comedy into an ecstatic improvisational style with carefully crafted musical support. For his Opening Night performance, Head Boggle will collaborate with Caitlin Denny, a video artist and curator concentrating on performative technologies and interactive creation.


The San Francisco Electronic Music Festival is an artist-run organization presenting works that span the sonic spectra by participants ranging from emerging artists to respected pioneers of the field.









Friday, September 12th 8pm

BRAVA THEATER CENTER

Aki Onda
, Joker Nies
, Sarah Davachi

Saturday, September 13th 8pm

BRAVA THEATER CENTER

:zoviet*France:
, Christina Stanley
, Xo Xinh

Sunday, September 14th 8pm

BRAVA THEATER CENTER

Nicolas Collins
, Ezra Buchla
, Julia Mazawa

Tickets are available through Brown Paper Tickets

Friday, September 5, 2014

Allan Holdsworth Returns to Yoshi's

Allan Holdsworth, one of the world’s best known guitarists returned to Yoshi’s in San Francisco last Tuesday and Wednesday, before wrapping up his amazing 3 day stint at Yoshi’s in Oakland on Thursday. Holdsworth has been thrilling audiences the world over for several decades; I first saw him with the legendary Tony Williams Lifetime band of the mid-seventies, and months later with his fellow Brits in the celebrated prog-rock super group U.K., featuring Roxy Music’s Eddie Jobson, and King Crimson’s John Wetton and Bill Bruford. Holdsworth would soldier on with his own groups like I.O.U and assorted trios, displaying the genius he has become known throughout the world for. Many critically acclaimed albums would follow; his guitar synth forays with “Atavachron”, “Road Games”, “Metal Fatigue”, “Sand”, “Secrets”, “Wardenclyffe Tower”, “Hardhat Area” and “Sixteen Men of Tain” in 2000.


Fans of the guitarist will no doubt recall his tribute to the late Williams, “Blues for Tony”, culminating in a CD and DVD recorded live at Yoshi’s a few years ago, featuring Lifetime alum, keyboardist Alan Pasqua, drummer Chad Wackerman and bassist Jimmy Haslip. Haslip rejoined Holdsworth for this tour, alongside drummer Virgil Donati and a new keyboardist Dennis Ham. Holdsworth didn’t disappoint this time around either, running through a gamut of some of his best known tunes with poignant soloing and his humble wit; “Red Alert”, “Proto Cosmos”, and “Fred” from the aforementioned tribute album; “Texas” and “Above and Below”, (my personal favorite), from his most recent album, “Sixteen Men of Tain”; as well as a few classics, including “The Things You See When You Haven’t Got Your Gun”, “Madame Vintage”, “Water on the Brain” and “Letters of Marque”.


Each of these tunes were punctuated by the energetic Donati, who performed like a man possessed, and the ever pleasing Haslip; a masterful bassist who thrilled fans worldwide during his tenure with the jazz group, the YellowJackets. Ham, a recent addition had big shoes to fill in Pasqua’s absence, however he was more than up to the task; his Jan Hammer-like guitar/synth samples were so amazing, many in the audience thought they were hearing Holdsworth, until they realized it was Ham playing those parts as Holdsworth stood silently by, waiting to re-enter the fray.


Long time fans are hopeful for new music from the maestro; his last album was quite a few years ago; however Holdsworth appears rejuvenated and his catalogue reborn under the watchful eyes of Leonardo Pavkovic and his MoonJune Record label; we may yet see something new indeed. In the meantime, enjoy the brilliant Allan Holdsworth whenever and wherever you can. There is no one else like him, and there never will be. He is truly, inimitable.