Billy Cobham is clearly one of the greatest drummers of this or any era. At age 63, he still brings it. His career is certainly legendary; Miles, McCoy Tyner, Horace Silver, Stanley Turrentine and a founding member of one the greatest fusion groups of all time; John McLaughlin's Mahavishnu Orchestra, just to name a few. Last week, Cobham began a week long stint at the Yoshi's on Fillmore with his "Spectrum Revisited" quartet, featuring guitarist Dean Brown, keyboardist Mark Soskin and bassist Victor Bailey. That group ably covered some of Cobham's electric music of the '70's, '80's and '90's.Last night, Cobham paired down his 7 piece kit and moved to the Yoshi's in Oakland, this time with his "straight ahead" group, with pianist Kenny Barron, bassist John Williams and long time friend and trumpeter, the incredible Randy Brecker. Along side his late brother, the saxophonist Michael Brecker, they helped cement Cobham's place in the annals of jazz; co-founding the '70's group, Dreams, and performing on many of his greatest albums from the Altantic era. It's not too late to catch one of the most unforgettable drummers you will ever see.
Last year, I wrote about growing up in DC and first seeing Billy Cobham with guitar virtuoso John McLaughlin and his ground breaking Mahavishnu Orchestra in 1972. After that unbelievable show, on American University's famed football field, Billy Cobham soon became my favorite drummer.
Cobham's incredible rudimentary skills were second to none; I'd personally seen him over thirty times, and his massive frame and joyous playing will leave anyone who sees him gasping in amazement. Those skills have not diminished one bit, as evidenced in a recent DVD, "Billy Cobham: Live at 60". Joining Cobham for yet another concert in Paris, was his Culture Mix group, featuring the great "Junior" Gill on steel drums. With footage and interviews, this DVD is a remarkable window into the life of perhaps the best drummer of ours, or any generation.
Only a few times in history has a musician been singled out as the world-class master of his instrument. Cobham is one of those few artists. For over 30 years, he has received international acclaim as the total consummate percussionist. Cobham, with his matchless, dazzling, ambidextrous skills as a drummer, has applied the same insistent fervor to his long list of monumental achievements. He’s an accomplished composer and record producer. It is a rarely known fact that he was at the forefront of the electronic music industry and it’s development through Jazz.
He was one of the first percussionists, along with Max Roach and Tony Williams to utilize the Electronic Drum Controller made in 1968 by the Meazzi Drum Company in Milano, Italy while on concert tour with Horace Silver in Europe. He is one of the few Percussionists, specializing in the Jazz drum set to lead his own band. The award winning Cobham has custom designed trend setting acoustic and electronic drum sets and has endorsed products that he created and refined.
Cobham has performed on hundreds of records with his own groups and with some of the music’s most luminary artists, and his trademark - biggest, fastest, explosive drumming - has energized the international stages of concerts, symphonies, big bands, Broadway, festivals, television and video. He has been a teacher of his artistry, giving drum clinics, conducting workshops and symposiums throughout the world. His stylistic influence, which has literally created a category of music, is an outstanding part of the history of modern music.
Since 1980, Cobham had been dividing his time between his home in Zurich and the United States where he lived in New York City and northern California until that time, underscoring his unique internationally influenced origins as a musician. Cobham was born on May 16th, 1944 in Panama, surrounded by talented parents and a brother, Wayne (producer, horn player, MIDI specialist, writer), Cobham’s love for drums was kindled by his cousins who played and constructed steel drums and congas in Panama. Some of his earliest memories are of himself playing timbales.
The Cobhams moved to New York City in 1947, when Billy was 3 years old. He had his stage debut in performance with his father at the age of 8. Cobham developed his seriously voracious appetite for drumming in the highly competitive Drum and Bugle Corps. arena with St. Catherine’s Queensmen, prompting him to attend New York’s famed High School of Music and Art to study music theory and drum technique with seminars by such renowned talents as Thelonious Monk and Stan Getz. Cobham remembers "In those days, Jazz was a bit off-limits to students while classical music was preferred by the education establishment. So, of course students craved to meet jazz artists.
Miles Davis was the most talked about personality of the time and had the best musicians working with him Cobham recalled; "We’d listen to him and analyze, as we did with other professionals. But in those days, all roads did lead to Miles." "He was the goal to shoot for because he had a knack for putting the right components together (musicians and music) to convey the ultimate message through Jazz."
Cobham’s most notable offerings to fusion jazz are his own 35 recordings beginning with "Spectrum", which was released on Atlantic Records in 1973 and reissued on compact disc by Rhino Entertainment in 2001. Amid the re-release of Spectrum, Cobham has several projects in the works including "Drum + Voice" (due via Sony), and a range of educational tools he produces through his own company, Creative Multi-Media Concepts. Among the resources is the book "Conundrum", which is published by Warner Publishing, and a slew of Music Minus One interactive CDs which feature selections from Spectrum and other projects of Cobham's. Cobham has been part of several new films, "Sonic Groove" and the French film "Sonic Nerve".
At last night's show, Cobham played one of his greatest tunes, "Heather", (from the LP "Crosswinds"), and one he confessed, wasn't sure why he hadn't played it very often. That particular song is perhaps one of my favorites, made all the more special by the keyboard work of George Duke and the late Michael Brecker. Brecker and Miles were the very first to use wah-wah and other effects on their trumpets. After the show, I told Randy, "You did your brother proud on "Heather'..." Brecker smiled and thanked me.
Billy Cobham & Friends
featuring Kenny Barron, John Williams and Randy Brecker
Yoshi's at Jack London Square, Oakland, CA
Friday, April 18th @ 8:00 pm, $24:00 & 10:00 pm $16 Saturday, April 19th both shows $24:00 Sunday, April 20th @ 7:00 pm $24 & 9:00 pm $16
